
Maybe it was the number of names, or the names themselves, or their oddly mellifluous quality, but I expected something quite different--subdued colors and gleaming whites like a Whistler painting, but what I found was dust, stubble, and banjo strings. Once I got used to what I found, I liked it--Dry is unquestionably my favorite, both musically and because of his comment about it:
I’m really proud of this song too. I wrote this when I first started working on my cabin. I was cold and disoriented every morning in my freaky, silver trailer. There were these blackbirds that have this real unorthodox song. It started penetrating my dreams. It’s a crazy song, but it’s beautiful too. The bluebird can sing, but the crow’s got the soul.
His new CD is Song of the Blackbird, and Chariot is my favorite there--an odd mixture of the grisly darkness of sound that Tom Waits has traded on, and the swaying, uplifting vibe of a revival chorus. It's nice to find somebody that uses the traditions of Southern music intelligently and clearly, instead of jumping on the (admittedly appealing!) alt-country bandwagon.
tags: [Music], [mp3], [Daytrotter], [William Elliot Whitmore]
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