
The echoing Ubahn adds a nice kind of melancholy, which is saved from being lugubrious by the occasional odd echo that certainly wouldn't have been added in a studio. Maybe oddly, my favorite tracks are the ones that have the sounds of the passengers in them; Time Zones and Area Codes ends with the the rebounding flat-strike sound of heeled shoes, and Ten Dollars (False Start)is interruped by train passengers--I wish he'd kept singing and just let that be the backdrop; the German chatter is an appealing counterpoint, and the way it appears gradually couldn't have been better done in a studio. Maybe it wouldn't have ended as neatly as it began--it almost certainly wouldn't have--but it's an eerie break in the solitude of the rest.
tags: [Music], [mp3], [Swearing At Motorists]
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